museum
Saturday morning, creating a digital copy of the Aphrodite in Marble from the Met. A form that has perpetually adapted – originally cast in bronze 2000 years ago, later destroyed, reproduced (two times, different artists) in marble, limbs were lost, limbs were added, parts recreated, etc.
Images copyright Robert Lemermeyer Photography
I’ve been diligently following the exterior construction progress of the AGA museum in Edmonton via the museum’s dedicated online webcam, and it looks absolutely wonderful, but unfortunately the spectacular interior spaces had been hidden from view until now. In my imagination and the computer and physical models I spent the better part of three years designing in while at RSA, I saw the public entry lobby as an expansive and light filled space that was confirmed by these first images taken from the museum’s facebook page. They were a joy to see and a welcome reminder that the days consumed by getting that projecting finger in the top left to look just right as it slid past the grand stair were all worthwhile.
All Images Copyright: Timothy Hursley.
I spent my first year out of school working on this project back when it was a six foot long paper and wood model sitting in the middle of the office, and we were diligently translating it into a rhino model. I’m happy to see it turned out beautifully, Randall and the team did a great job. See more about the project at arcspace, here.
image credit: piratedesign and Randall Stout Architects.
I was the part of the design team for this invited competition project and represented Randall Stout Architects among competitors Zaha Hadid Architects, Morphosis and Coop Himmelb[l]au. The museum, on the Michigan State University campus, will become the new location for the Broad art collection and will mark the northern entry point of the campus as the college’s most iconic building. I worked closely with the principal-in-charge Randall Stout to manifest the design ideas into physical form, and led a group of four designers.
The building design respects the site and campus history by providing a place of solace, a clearing in the woods, in recognition of a campus ground plane surrounded by wilderness. This project sets out to define a new sense of place by giving over the ground plane to gardens, art and community gathering and events spaces. The building touches the ground in a minimal manner and reads as an extension of the sculpture garden. The site becomes a permeable space allowing accessibility through the building for students and visitors as the building forms hover above the tree canopies.
The building forms are influenced by the scientific principles of emergence, which recognizes the ability of individual cells to respond to stimuli and influence the behavior of the whole organism. Here, the relationship between the functional gallery boxes and celebratory public spaces becomes the agent of form, resulting in a new museum language that yields a seamless convergence between domains of art and community. It expresses the needs of artist and curator as fluently as the iconic presence of a cultural arts center for the community.
image copyright randall stout architects
This was one of the first projects I worked on after getting out of the University of Texas, and I was lucky it was an exciting one. I followed this project from its inception as a winning competition entry up through the completion of the construction documents phase. I specialized in design, 3D modeling, drawing production and enclosure details on the 80,000sf museum. Main responsibility included the precise design of curvilinear geometry elements while generating ideas and coordination with DeSimone Structural Engineers and A.Zahner metal cladding to ensure integrity of design and fabrication aspects of the project. The project built in January 2010.
images copyright Randall Stout Architects unless otherwise noted.
A friend forward this to me from my time at Michigan State, or as I like to call it, “the billionaire playas club”