JOHN LOCKE, ARCHITECT

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About

Hello. I live in New York and work at The Living. I hold a graduate degree from Columbia University's GSAPP and an undergraduate architecture degree from the University of Texas at Austin. I have more than seven years of professional experience at noted architecture firms, including New York-based Rogers Marvel Architects and SOM. I also tackle freelance graphic and photography work with my partner in crime, the multi-talented Jackie Caradonio at Lion in Oil. In addition, I teach a course, Hacking the Urban Experience, at Columbia. View my CV here: CV(html). Thanks and have a nice day.

Contact

john.h.locke{at}gmail.com
310.735.3333

Architecture Portfolios

Portfolio 2002-2007 (issuu)
Portfolio 2008-2009 (issuu)

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painting

20140428 Tags: competition, fabrication, graphic design, interaction, new york, urban | No Comments »

Muybridge + Kelly

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Final painted barrier
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NYCares Volunteers paint the barrier
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Stencils with movable joints
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Barrier made of (10) 20′ long modules
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Stencils laser cut out of oil board with rotating brass pin joints
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200′ of barrier painted in 4 hours
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NYCares volunteers painted barrier number 10
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Final painted barrier images
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My design for “Singing in the Rain” was commissioned by the NYC DOT as part of the Urban Art program to Beautify Barriers throughout the city. The site is located just South of the theater district and Times Square at 36th St and 9th Ave in Manhattan, and references musicals – especially one in particular – as well as motion, animation and street rhythm. The piece will be up for 1 year and made use of a series of movable stencils of figures with articulated joints to allow for variation in the 200′ barrier length. 20 awesome volunteers of all ages participating in the NYC Cares program (many who had never picked up a paintbrush before) were able to arrange the stencils and finish painting the design in 4 hours based off of a series of detailed instruction sheets.

20090122 Tags: painting, school, utsoa | No Comments »

b/w paintings

These were components of the Shape Studio I took at UT with critics Chris Risher and Mark Vaughn. The paintings began as expressive gestures that evolved to rigorously reflect a series of imposed limits. What began as logo-centric forms took on qualities including the use of void spaces as well asĀ  a depth and primacy of smaller pieces within an overall composition.

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